Join the Club

Writing’s a solitary business, which is why writers never need an excuse to turn off the screen and hurry to gather in groups to talk about…writing.

Finding the right writing group can change everything. Sharing your writing with like-minded people is helpful, but finding a good critic who doesn’t share your world view is even better. Even if the group doesn’t share work, you want to be surrounded by people who are serious, striving. A mix is good, but there needs to be someone to inspire, challenge and provide an example.

But. There’s always a but. Just like all relationships, you have to kiss a load of frogs before you find your prince.

One of the first writing groups I attended was in someone’s flat. It had to be in their flat, because they never left it. I didn’t mind that, happy to be supportive. So we all trooped in and found a space to sit. We started to chat before the session leader (let’s call him Jerry) arrived. I mentioned I was writing in the first person and there was a sharp intake of breath. The room fell silent.

“Jerry doesn’t really think that works.” I was told.

Oh. Thanks Jerry. The woman I was talking to told me she was writing a historic romance. Then she leaned closer and lowered her voice.

“I don’t read that kind of thing,” she said. “But Jerry thinks there’s a good market for it.”

Jerry again. He apparently had an unbeatable set of rules which, when followed, would result in instant publication and massive sales. Not so much a writing group as a complete cult.

Then there was the group which met at the same time every month. Once, two very posh women turned up. One a published author, one an editor. They hogged the conversation, though they’d never met any of us before. We all sat there, cowed. Finally they asked if we could change the time of the meetings to accommodate other things they needed to do. We agreed, meekly, furiously. You’ve guessed it. They never returned.

There was the fomal writing class taught by a “local writer” at the nearby college. The entire first lesson was filled with examples from TV and when a couple of us objected (on the grounds we didn’t watch television and would find references from novels more useful) the tutor told us firmly that most moden novels were not worth his time. Or ours. Sweeping statement? Some people saw it as a challenge. He was finally backed into a corner and had to name a specific writer he felt was “overrated.” Agatha Christie.

If you keep kissing the frogs, you’re bound to find your prince. And the beauty of these odd times is you can attend from anywhere in the world. Two groups I’d recommend are both based in the West of England, but you’ll be welcome from anywhere. Novel Nights https://www.novelnights.co.uk/ isn’t always at night and features break-out sessions and helpful hosts. The Write Day http://www.writeday.co.uk/ is usually based in Frome, but works just as well online, though you’ll have to provide your own cake. If you give either or both of them a try, I guarantee you’ll be inspired.

Enough books?

In 2010 I started recording the books I read each year in a slightly feeble attempt to simplify my life. Once read and recorded, the book could be passed on, kept or (mostly) returned to the library.

As always, my list contains some classic and classic-style crime (I’m not into gore) and some re-reads of favourites. There’s one set of diaries and a biography and lots of travel and natural history. It is always a good year when there’s a new book by Elinor Lipman, one of my favourite writers, and although I’m rationing my intake of Elizabeth Taylor and Barbara Pym there’s one from each.

2020 was a difficult year personally and for the entire globe. It is easy to spot the comfort reads but I’m pleased to see, looking back, there are some more challenging chunks in there, and one stand-out*. Here they are, in the order I read them.

The Shakespeare Requirement by Julie Schumacher

A Talent to Amuse by Sheridan Morley

The Seas by Samantha Hunt

The Wrong Place by Brecht Evens

Palladian by Elizabeth Taylor

The Husband’s Secret by Liane Moriarty

Reasons to be Cheerful by Nina Stibbe

Turbo Twenty-Three by Janet Evanovich

Blue Moon by Lee Child

Diary of a Somebody by Brian Bilston

Mrs Dalloway by Virginia Woolf

Peter Hall’s Diaries by Peter Hall

Plume by Will Wiles

Good Riddance by Elinor Lipman

Leonard and Hungry Paul* by Ronan Hession

Nocturne by James Attlee

My Name is Lucy Barton by Elizabeth Strout

Masked Prey by John Sandford

Hamlet Globe to Globe by Dominic Dromgoole

The Moving Finger by Agatha Christie

The Girl on the Train by Paula Hawkins

The Essex Serpent by Sarah Perry

Crooked House by Agatha Christie

The Truants by Kate Weinberg

The Murder of Roger Ackroyd by Agatha Christie

Dark Salt Clear by Lamorna Ash

The Mystery of Henri Pick by David Foenkinos

A Month in the Country by J L Carr

Dangerous in Love by Lesie Thomas

The Golden Age of Murder by Martin Edwards

Miss Iceland by Auchur Ava Olafsdottir

The Floating Admiral by The Detection Club

Why I’m No Longer Talking to White People about Race by Reni Eddo-Lodge

Salt on Your Tongue by Charlotte Runcie

A Glass of Blessings by Barbara Pym

The Way to the Sea by Caroline Crampton

Conversations with my Agent by Rob Long

The Confession by Jesse Burton

Magie Murders by Anthony Horowitz

Confessions of a Bookseller by Shaun Blythell

Nod by Adrian Barnes

The Burgular who Counted the Spoons by Lawrence Block

Moominvalley in November by Tove Jansson

With Child by Andy Martin

Moonflower Murders by Anthony Horowitz

The Killings at Kingfisher Hall by Sophie Hannah

https://suzydharris.org/2021/01/09/enough-books/

Pandemic Poems

Just before lockdown, Samuel West (a British actor) asked his twitter followers what poems they’d like him to read for them. He was driven by a need to do something – the play he was about to perform in was cancelled – and a desire to offer something of meaning to people.

Hundreds of people sent suggestions, and Sam enlisted other readers. Readers of colour for poems by writers of colour, and women to read poems by women, (the first of my selection) but also a range of voices to speak lines which range from the classics and household names to song lyrics and children’s favourites.

Each reading is set in a brief context which adds something to the meaning and also highlights the difference between normal workaday speech and the polished, crafted jewel of the poem itself.

Listen with caution though: It is through poetry that ideas take the shortest route to the heart, cutting through the insulation and connecting us with the live wire of feeling.

Try this one:

I’ve spent a lot of time in nature over the past six months. I’m no better at identifying birdsong, but this poems captures the bittersweet joy of it.

Although there were lots of autumn poems to pick from, this one spoke to me, I hope you’ll like it. You can find all the poems on Soundcloud.

Lockdown Listening

Sometimes listening is just easier than reading, isn’t it? And you can listen and do other things. Listen and iron, listen and empty the dishwasher, listen and lie on the sofa staring out of the window…

According to a recently interviewed bookseller, Agatha Christie is going great guns at the moment. And why not? Has there ever been a better time to immerse ourselves in a narrative which bowls along nicely and in which all wrong-doers meet the appropriate end?

If you’ve been reading Scandi-noir or gritty American crime, you might have forgotten (or misremembered) just how compelling the Golden Age writers remain. Not just cosy nostalgia, these books reflect the grimmest period of our history. Many of the most popular writers were shaped by the war to end all wars, which didn’t. Just as they were reaching the height of their powers and readership, another war changed the world.

I’m enjoying two podcasts which provoke and comfort in equal measure.

All about Agatha is by two young Americans. It is chatty and searching. They have a complex ranking system and don’t let the Dame off the hook when she displeases. They enjoy and include the tv and film dramatisations, but these always take second place to the writing. Give this a listen for publishing history, close textual reading and good humour. https://www.stitcher.com/podcast/all-about-agatha

Caroline Crampton is a writer (her book about the Thames, The Way to the Sea is fabulous.) She’s also a great fan of Golden Age fiction and her podcast, Shedunnit, as a trove of information, inspiration and visiting speakers. Great use of music too, I highly recommend this for an escape which leaves you feeling better infomed, and hungry to read. https://www.stitcher.com/podcast/shedunnit